John Watson, Jr. was born in Houston, Texas. His father John Sr. was a pianist, and taught his son the instrument. But young Watson was immediately attracted to the sound of the guitar, in particular the electric guitar as practiced by the “axe men” of Texas: T-Bone Walker and Clarence “Gatemouth” Brown. His grandfather, a preacher, was also musical. “My grandfather used to sing while he’d play guitar in church, man,” Watson reflected many years later. When Johnny was 11, his grandfather offered to give him a guitar if, and only if, the boy didn’t play any of the “devil’s music”–blues. Watson agreed, but “that was the first thing I did.” A musical prodigy, Watson played with Texas bluesmen Albert Collins and Johnny Copeland. His parents separated in 1950, when he was 15. His mother moved to Los Angeles, and took Johnny with her. In his new city, Watson won several local talent shows. This led to his employment, while still a teenager, with Jump blues style bands such as Chuck Higgins’s Mellotones and Amos Milburn. He worked as a vocalist, pianist, and guitarist. He quickly made a name for himself in the African-American juke joints of the West Coast, where he was billed as “Young John Watson” until 1954. That year, he saw the Sterling Hayden film “Johnny Guitar,” and a new stage name was born. He affected a swaggering, yet humorous personality, indulging a taste for flashy clothes and wild showmanship on stage. His “attacking” style of playing, without a plectrum, resulted in him often needing to change the strings on his guitar once or twice a show, because he “stressified on them” so much, as he put it.
The Watsonian Institute – Master Funk 1978
The Funk If I Know
Lady Voo Doo
De John’s Delight
Virginia’s Pretty Funky