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Festa Transachic / Zimbabwe dia 05 de Maio no Espaço Forasteiros
Posted In: Original Funk Music by DJ Stanley
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Maceo Parker with Fred Wesley and Pee Wee Ellis no BMW Jazz Festival 2012 – Post Atualizado
Posted In: Divulgação, Festas, Fred Wesley, Funk News, inf, Informação, Information, James Brown, Jazz, Jazz Funk, Maceo Parker, Maceo Parker with Special Guests Fred Wesley and Pee Wee Ellis, Old School, Original Funk Instrumental, Original Funk Music, Original Funk Music – Live, Parceiros, Pee Wee Ellis, S.O.U.L, Smooth Jazz, Soul Music, Stanley Clarke, The JB’s, Trombone Shorty by Eugenio
E foram anunciadas as atrações do BMW Jazz Festival 2012.
Dentre as atrações, teremos a aguardada apresentação de Maceo Parker and his band with Special Guests Fred Wesley and Pee Wee Ellis.
O BMW Jazz Festival acontecerá de 8 a 10 de junho em São Paulo, e de 11 a 13 de junho no Rio.
Em São Paulo o festival acontecerá no Via Funchal, e no Rio de Janeiro no Teatro Oi Casa Grande.
Segundo informações, dia 10 de junho, Maceo Parker e The Clayton Brothers farão um show gratuito no Parque do Ibirapuera.
Além dos shows, o BMW Jazz Festival oferecerá seis workshops gratuitos, na Escola de Música do Estado de São Paulo, ministrados por Chick Corea, Lenny Whitw, Stanley Clarke, Charles Lloyd, Christian Scott e Trombone Shorty.
Vejam as outras atrações do BMW Jazz Festival:
Corea, Clarke & White – Projeto de Chick Corea, Stanley Clarke e Lenny White (São Paulo / Rio de Janeiro)
Charles Lloyd (São Paulo / Rio de Janeiro);
The Clayton Brothers (São Paulo);
Trombone Shorty & Orleans Avenue (São Paulo / Rio de Janeiro);
Ambrose Akinmusire (São Paulo);
Nintey Miles Project (São Paulo / Rio de Janeiro);
Darcy James Argue’s Secret Society (São Paulo);
Toninho Ferragutti e Bebê Kramer (São Paulo).
Se ano passado a Família Original esteve presente nos dois shows de Fred Wesley no Brasil, com certeza não iremos ficar fora dessas apresentações.
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Maceo with Special Guests Fred Wesley and Pee Wee Ellis no BMW Jazz Festival 2012
Posted In: Divulgação, Fred Wesley, Funk News, inf, Information, James Brown, Jazz Funk, Maceo Parker, Original Funk Music, The JB’s by Eugenio
De 8 a 10 de junho em São Paulo, no Via Funchal.
De 11 a 13 de junho no Rio de Janeiro, no Teatro Oi Casa Grande.
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Programa Original Funk Music
Posted In: Original Funk Music by Fhenso Funk Music
Domingo, à partir das 10hs, tem mais uma edição do programa Original Funk Music na Webradio-Balanço e Privilege Web Radio.
Produção e apresentação Fhenso e Stanley Original Funk Music, trazendo muito Black Music Nacional, Dance Classic, Funk e Soul Brazuca e internacional da melhor qualidade.
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Born in Jamaica in 1952, Claudja’s parents left and moved to Canada while she was still a young child. Raised in Toronto, Claudja was exposed to a variety of musical influences
from an early age. She was taken with singing and began taking vocal lessons in hopes of a career in music. By the age of 15 she had mastered the art of singing and had developed
her voice to an outstanding level, so unique was her talent that she easily won an audition and spot on a local television show.
By her late teens Claudja was headlining her own show and after graduation she quickly fled to New York in search of stardom. While in New York Claudja landed roles in two
shows, “Hair” and “Catch My Soul.” The latter, a touring company production, brought her to Europe. While in Europe she began doing session work as a background vocalist. The
session work led to a chance meeting with producer Frank Farina. Farina had just scored a European hit with 1975′s “Baby Do You Wanna Bump?” under the pseudonym “Boney M”
(Boney: Hero of an Australian TV-Series). Due to the success, there was a demand for live appearances of Boney M. Farian and agent Katja Wolf hired 4 girls and 1 guy. Maizie
Williams, Sheila Bonnick, a girl named Nathalie, Claudja Barry and the male dancer Mike. This line-up did only dancing, lip syncing and press appearances. After a brief tour Claudja
Barry was replaced by Liz Mitchell in 1976.
During her brief role with Boney M, Claudja met a handsome young record producer Jürgen Korduletsch. Korduletsch would play a significant role in her professional life as
producer/writer/manager, and later in her personal life as her husband. Korduletsch was the owner of an up and coming label, Lollipop Records. He convinced Barry that she should
record with him and signed her immediately to a contract. They cut five sides that Korduletsch co-wrote with his partner/arranger Jorg Evers. The tracks were quickly licensed by
Salsoul Records and sent, along with Tom Moulton, back to the studio for remixing. The result was Barry’s 1977 debut album “Sweet Dynamite.” The album was a major hit in clubs,
but all of the material holds up nicely away from the dance floor. None of the songs come across as mechanical or insincere, and Barry is as soulful on the haunting, European
flavored “Love For The Sake Of Love” as she is on the exuberant “Why Must A Girl Like Me” and the gritty title song, which has as much to do with soul and funk as it does with
Euro-disco. Though Barry’s vocals are the album’s main focus, she lays out on “Live A Little Bit,” an infectious instrumental that successfully fuses Euro-disco with African pop and
reggae. Thanks to 12″ singles, the title track and “Dance, Dance, Dance” were top ten club smashes and made the album an international hit and an essential disco classic. But this
was only the start of what was to become a long and fruitful career for Claudja and Jürgen.
Born in Jamaica in 1952, Claudja’s parents left and moved to Canada while she was still a young child. Raised in Toronto, Claudja was exposed to a variety of musical influences
from an early age. She was taken with singing and began taking vocal lessons in hopes of a career in music. By the age of 15 she had mastered the art of singing and had developed
her voice to an outstanding level, so unique was her talent that she easily won an audition and spot on a local television show.
By her late teens Claudja was headlining her own show and after graduation she quickly fled to New York in search of stardom. While in New York Claudja landed roles in two
shows, “Hair” and “Catch My Soul.” The latter, a touring company production, brought her to Europe. While in Europe she began doing session work as a background vocalist. The
session work led to a chance meeting with producer Frank Farina. Farina had just scored a European hit with 1975′s “Baby Do You Wanna Bump?” under the pseudonym “Boney M”
(Boney: Hero of an Australian TV-Series). Due to the success, there was a demand for live appearances of Boney M. Farian and agent Katja Wolf hired 4 girls and 1 guy. Maizie
Williams, Sheila Bonnick, a girl named Nathalie, Claudja Barry and the male dancer Mike. This line-up did only dancing, lip syncing and press appearances. After a brief tour Claudja
Barry was replaced by Liz Mitchell in 1976.
During her brief role with Boney M, Claudja met a handsome young record producer Jürgen Korduletsch. Korduletsch would play a significant role in her professional life as
producer/writer/manager, and later in her personal life as her husband. Korduletsch was the owner of an up and coming label, Lollipop Records. He convinced Barry that she should
record with him and signed her immediately to a contract. They cut five sides that Korduletsch co-wrote with his partner/arranger Jorg Evers. The tracks were quickly licensed by
Salsoul Records and sent, along with Tom Moulton, back to the studio for remixing. The result was Barry’s 1977 debut album “Sweet Dynamite.” The album was a major hit in clubs,
but all of the material holds up nicely away from the dance floor. None of the songs come across as mechanical or insincere, and Barry is as soulful on the haunting, European
flavored “Love For The Sake Of Love” as she is on the exuberant “Why Must A Girl Like Me” and the gritty title song, which has as much to do with soul and funk as it does with
Euro-disco. Though Barry’s vocals are the album’s main focus, she lays out on “Live A Little Bit,” an infectious instrumental that successfully fuses Euro-disco with African pop and
reggae. Thanks to 12″ singles, the title track and “Dance, Dance, Dance” were top ten club smashes and made the album an international hit and an essential disco classic. But this
was only the start of what was to become a long and fruitful career for Claudja and Jürgen.
Tracklist:
01 – Sweet Dynamite
02 – Why Must A Girl Like Me
03 – Dance, Dance, Dance
04 – Live A Little Bit
05 – This Taste Of Love
06 – Love For The Sake Of Love
07 – Ride On My Fire
08 – Do It Again
09 – Nobody Loves Me Like You Do
É isso aí rapaziada Dance, Dance, Dance!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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Festa da Amizade dia 10 de Março 2012
Posted In: Original Funk Music by DJ Stanley
