maio
10
Domingo Flash Black A Reunião de Amigos
Posted In: Original Funk Music by kamarao
Valor: R$ 10,00 (com direito a uma cerveja ou refri).
Valeu família… Funkyabraços e até lá!!!
maio
5
Programa Original Funk Music 06-05-2012 a partir da 10hs da manhã..
Posted In: Flyers by DJ Stanley
Domingo, à partir das 10hs, tem mais uma edição do programa Original Funk Music.
Agora vocês podem escutar o programa pela nossa casa, a Webradio Balanço:
http://webradiobalanco.com/
Ou pela nossa parceira, a Privilege Web Radio:
http://privilegewebradio.com/
Produção e apresentação Fhenso Souza e Stanley Original FunkMusic, trazendo o melhor do Funk, Soul, Disco e quetais.
Visitem:
abril
30
2a. Festa da Amizade dia 05-05-2012 com Transachic & Zimbabwe
Posted In: Flyers by DJ Stanley
Maiores informações www.transachic.com.br
abril
24
Grover Washington Jr – Winelight – 1980
Posted In: Grover Washington Jr by nazarious
Strongly recommended …
01 Winelight
02 Let It Flow (For Dr. J)
03 In the Name of Love
04 Take Me There
05 Just the Two of Us
06 Make Me a Memory (Sad Samba)
Original Link
abril
7
Programa Original Funk Music
Posted In: Original Funk Music by Fhenso Funk Music
Domingo, à partir das 10hs, tem mais uma edição do programa Original Funk Music.
Agora vocês podem escutar o programa pela nossa casa, a Webradio Balanço:
http://webradiobalanco.com/
Ou pela nossa parceira, a Privilege Web Radio:
http://privilegewebradio.com/
Produção e apresentação Fhenso Souza e Stanley Original FunkMusic, trazendo o melhor do Funk,
Soul, Disco e quetais.
Visitem:
abril
6
SOUL SOUTH – apresenta FUNKY POWER 03
Posted In: Original Funk Music by Fhenso Funk Music
Mais um set especial do nosso parceiro Guilherme.
O Original recomenda, muito Groove na area.
Em breve estaremos com um set exclusivo para tocar no programa, aguardem!
Valeu brother!
Funky Power 3
Playlist ::
1- Bobby Rush – Chicken Head
2- The Right Track – I Gotta Move with the Groove
3- Notations – SuperPeople
4- Blackbyrds – Do iT Fluid
5- Average White Band – Schoolboy Crush
6- Love Unlimited Orchestra – Strange Games
7- Blue Mitchell – the message
8- Rodger Collins – Foxy Girls in Oakland
9- John Craig – Doing My Own Thing
10- Bill Coday – When You Find a Fool, Bump His Head
Enjoy my friends !!!
Gostou?
http://soundcloud.com/soulsouth
abril
6
7 edição do Flash Black
Posted In: Original Funk Music by Fhenso Funk Music
Segue o disco comemorativo com as clássicas do EWF
Make Funk
Dj Ivanir
Dj Anacleto OldBoy
Mingo
Make Funk
Dj Ivanir
Dj Anacleto OldBoy
Mingo
abril
2
1973 Foster Sylvers – Foster Sylvers
Posted In: Foster Sylvers, Original Funk Music by Fernando Ferpa
Foster Sylvers had a Top Ten R&B/Top 25 pop hit first time out with “Misdemeanor.” He can also be heard exclaiming “We kept it going strong” on the Sylvers’ million-selling single “Boogie Fever” and sang lead on its follow-up, “Cotton Candy.” He also co-wrote and produced Janet Jackson’s funk rock single “Come Give Your Love to Me” which went to number 17 R&B in early 1983.
Born February 25, 1962, in Memphis, TN, Foster Sylvers’ older siblings, the Sylvers, were well established in the entertainment world by the time he joined the group. Starting as the child group the Little Angels under the direction of their mom, Shirley Sylvers, they had appeared on TV shows with Groucho Marx, Dinah Shore, Mike Douglas, Spike Jones, and Danny Thomas and had toured with Johnny Mathis and Ray Charles. After moving to New York and then to Los Angeles, the group now known as the Sylvers were signed to MGM Records subsidiary Pride Records. Their first hits were produced by Jerry Butler: “Fool’s Paradise” (number 14 R&B, fall 1972) and “Wish That I Could Talk to You” (number ten R&B, late 1972). They were included on the LP The Sylvers issued June 1972.
Foster Sylvers’ first single, “Misdemeanor,” written by his brother Leon Sylvers III, was produced by Jerry Peters. “Misdemeanor” b/w the Sylvers’ “Close to You” — not the Carpenters hit — from The Sylvers went silver (at one point there was an RIAA silver certification meaning over 250,000 copies sold) and make it to number seven R&B on Billboard’s charts in summer 1973. “Misdemeanor”’s follow-up was a cover of Dee Clark’s 1959 hit “Hey Little Girl.” Arranged by King Errisson with a tropical, steel drum-flavored syncopated groove, it charted at number 63 R&B in fall 1973. The popularity of the records led to Foster Sylvers’ appearances on such TV shows as American Bandstand and Soul Train, with his sisters, Pat and Angie, lip-syncing background vocals. Foster, who was perfect pinup material, joined his older brothers and sisters in issues of Right On! and Ebony Magazine’s sister publication Black Stars.
Besides “Misdemeanor” and “Hey Little Girl,” the Foster Sylvers LP, issued June 1973, included more Leon Sylvers tunes: the funky James Brown-ish “I’ll Get You in the End” that was the flip side of “Misdemeanor,” the jubilant “Big Things Come in Small Packages”, and the exotic, sparse ballad “Only My Love Is True.” There are some interesting covers: a flute-laced slowed version of Smokey Robinson and the Miracles’ 1967 hit “More Love”; a jazzy, sax-sprinkled version of “Put on a Happy Face”; a thick churchy toe-tapper cover of Inez and Charles Foxx’s “Mockingbird”; and a medley of “Brahams Lullaby” and Paul McCartney’s “Uncle Albert” that includes one of the earliest uses of keyboard bass. Drummer Harvey Mason appears on the album. Just like on the solo spin-offs of their contemporaries the Jackson 5, the Sylvers can be heard doing background vocals on Foster’s solo releases. His second LP, Foster Sylvers Featuring Pat & Angie, issued summer 1974, listed the single, a cover of the McCoys’ “Hang on Sloopy” b/w “Na Na Goodbye.”
Larkin Arnold, vice president of Capitol Records, suggested that Freddie Perren work with new signees the Sylvers. Perren, formerly of the Motown songwriting/arranging/producing collective The Corporation, had hits with the Jackson 5’s “I Want You Back,” “ABC,” and “The Love You Save,” and he was familiar with the group through their hits on Pride. He produced the two gold singles “Boogie Fever” (number one R&B/pop) and “Hot Line” (number three R&B, number five pop, late 1976), as well as “High School Dance” (number six R&B). While with Capitol, Foster recorded another Foster Sylvers LP, issued in early 1978 and co-produced by the Sylvers and their managers Al Ross and Bob Cullen, thus joining the ranks of recording artists (Ronnie McNeir, Loleatta Holloway) who have more than one self-titled LP in their catalogs. On the album were the first single, a ballad cover of Elvis Presley’s “Don’t Be Cruel,” a cover of Frankie Lyman’s “Goody, Goody,” and the single, “I’ll See You in My Dreams.”
Foster branched out into songwriting/production/bass playing just like his big brother Leon and the two collaborated on sides by Dynasty (”Your Piece of the Rock,” “When You Feel Like Giving Love,” “Satisfied”) and Evelyn “Champagne” King (”Shake Down,” number 12 R&B,spring 1984). He also co-wrote the Sylvers’ first post-Capitol single, “Don’t Stop Get Off” (number 15 R&B, fall 1978) from their Casablanca Records LP Forever Yours. Foster recorded two albums as Foster Sylvers & Hy-Tech, 1987’s Plain & Simple for EMI America and 1990’s Prime Time for A&M.
Foster’s son, Jeremy Sylvers, the spitting image of his dad during his “Misdemeanor” years, co-starred in the 1991 horror movie Child’s Play 3: Look Who’s Stalking.
“Misdemeanor” has been sampled by various hip-hip and rap acts with one, the D.O.C.’s “It’s Funky Enough,” being found on Beats & Rhymes: Hip-Hop of the ’90s, Part 1.
Smiling young Foster Sylvers is pictured on the cover of Rhino’s Soul Hits of the 70s: Didn’t It Blow Your Mind, Vol. 16, which includes “Misdemeanor.” ~ Ed Hogan, All Music Guide
Foster Sylvers had a Top Ten R&B/Top 25 pop hit first time out with “Misdemeanor.” He can also be heard exclaiming “We kept it going strong” on the Sylvers’ million-selling single “Boogie Fever” and sang lead on its follow-up, “Cotton Candy.” He also co-wrote and produced Janet Jackson’s funk rock single “Come Give Your Love to Me” which went to number 17 R&B in early 1983.
Born February 25, 1962, in Memphis, TN, Foster Sylvers’ older siblings, the Sylvers, were well established in the entertainment world by the time he joined the group. Starting as the child group the Little Angels under the direction of their mom, Shirley Sylvers, they had appeared on TV shows with Groucho Marx, Dinah Shore, Mike Douglas, Spike Jones, and Danny Thomas and had toured with Johnny Mathis and Ray Charles. After moving to New York and then to Los Angeles, the group now known as the Sylvers were signed to MGM Records subsidiary Pride Records. Their first hits were produced by Jerry Butler: “Fool’s Paradise” (number 14 R&B, fall 1972) and “Wish That I Could Talk to You” (number ten R&B, late 1972). They were included on the LP The Sylvers issued June 1972.
Foster Sylvers’ first single, “Misdemeanor,” written by his brother Leon Sylvers III, was produced by Jerry Peters. “Misdemeanor” b/w the Sylvers’ “Close to You” — not the Carpenters hit — from The Sylvers went silver (at one point there was an RIAA silver certification meaning over 250,000 copies sold) and make it to number seven R&B on Billboard’s charts in summer 1973. “Misdemeanor”’s follow-up was a cover of Dee Clark’s 1959 hit “Hey Little Girl.” Arranged by King Errisson with a tropical, steel drum-flavored syncopated groove, it charted at number 63 R&B in fall 1973. The popularity of the records led to Foster Sylvers’ appearances on such TV shows as American Bandstand and Soul Train, with his sisters, Pat and Angie, lip-syncing background vocals. Foster, who was perfect pinup material, joined his older brothers and sisters in issues of Right On! and Ebony Magazine’s sister publication Black Stars.
Besides “Misdemeanor” and “Hey Little Girl,” the Foster Sylvers LP, issued June 1973, included more Leon Sylvers tunes: the funky James Brown-ish “I’ll Get You in the End” that was the flip side of “Misdemeanor,” the jubilant “Big Things Come in Small Packages”, and the exotic, sparse ballad “Only My Love Is True.” There are some interesting covers: a flute-laced slowed version of Smokey Robinson and the Miracles’ 1967 hit “More Love”; a jazzy, sax-sprinkled version of “Put on a Happy Face”; a thick churchy toe-tapper cover of Inez and Charles Foxx’s “Mockingbird”; and a medley of “Brahams Lullaby” and Paul McCartney’s “Uncle Albert” that includes one of the earliest uses of keyboard bass. Drummer Harvey Mason appears on the album. Just like on the solo spin-offs of their contemporaries the Jackson 5, the Sylvers can be heard doing background vocals on Foster’s solo releases. His second LP, Foster Sylvers Featuring Pat & Angie, issued summer 1974, listed the single, a cover of the McCoys’ “Hang on Sloopy” b/w “Na Na Goodbye.”
Larkin Arnold, vice president of Capitol Records, suggested that Freddie Perren work with new signees the Sylvers. Perren, formerly of the Motown songwriting/arranging/producing collective The Corporation, had hits with the Jackson 5’s “I Want You Back,” “ABC,” and “The Love You Save,” and he was familiar with the group through their hits on Pride. He produced the two gold singles “Boogie Fever” (number one R&B/pop) and “Hot Line” (number three R&B, number five pop, late 1976), as well as “High School Dance” (number six R&B). While with Capitol, Foster recorded another Foster Sylvers LP, issued in early 1978 and co-produced by the Sylvers and their managers Al Ross and Bob Cullen, thus joining the ranks of recording artists (Ronnie McNeir, Loleatta Holloway) who have more than one self-titled LP in their catalogs. On the album were the first single, a ballad cover of Elvis Presley’s “Don’t Be Cruel,” a cover of Frankie Lyman’s “Goody, Goody,” and the single, “I’ll See You in My Dreams.”
Foster branched out into songwriting/production/bass playing just like his big brother Leon and the two collaborated on sides by Dynasty (”Your Piece of the Rock,” “When You Feel Like Giving Love,” “Satisfied”) and Evelyn “Champagne” King (”Shake Down,” number 12 R&B,spring 1984). He also co-wrote the Sylvers’ first post-Capitol single, “Don’t Stop Get Off” (number 15 R&B, fall 1978) from their Casablanca Records LP Forever Yours. Foster recorded two albums as Foster Sylvers & Hy-Tech, 1987’s Plain & Simple for EMI America and 1990’s Prime Time for A&M.
Foster’s son, Jeremy Sylvers, the spitting image of his dad during his “Misdemeanor” years, co-starred in the 1991 horror movie Child’s Play 3: Look Who’s Stalking.
“Misdemeanor” has been sampled by various hip-hip and rap acts with one, the D.O.C.’s “It’s Funky Enough,” being found on Beats & Rhymes: Hip-Hop of the ’90s, Part 1.
Smiling young Foster Sylvers is pictured on the cover of Rhino’s Soul Hits of the 70s: Didn’t It Blow Your Mind, Vol. 16, which includes “Misdemeanor.” ~ Ed Hogan, All Music Guide.
A1 Misdemeanor
A2 Big Things Come In Small Packages
A3 I’m Your Puppet
A4 Mockingbird
A5 I’ll Get You In The End
B1 Hey Little Girl
B2 Happy Face
B3 Swooperman
B4 More Love
B5 Only My Love Is True
B6 Lullabye / Uncle Albert
março
30
Festa Transachic / Zimbabwe dia 05 de Maio no Espaço Forasteiros
Posted In: Original Funk Music by DJ Stanley
março
21
Maceo Parker with Fred Wesley and Pee Wee Ellis no BMW Jazz Festival 2012 – Post Atualizado
Posted In: Divulgação, Festas, Fred Wesley, Funk News, Information, Informação, James Brown, Jazz, Jazz Funk, Maceo Parker, Maceo Parker with Special Guests Fred Wesley and Pee Wee Ellis, Old School, Original Funk Instrumental, Original Funk Music, Original Funk Music – Live, Parceiros, Pee Wee Ellis, S.O.U.L, Smooth Jazz, Soul Music, Stanley Clarke, The JB’s, Trombone Shorty, inf by Eugenio
E foram anunciadas as atrações do BMW Jazz Festival 2012.
Dentre as atrações, teremos a aguardada apresentação de Maceo Parker and his band with Special Guests Fred Wesley and Pee Wee Ellis.
O BMW Jazz Festival acontecerá de 8 a 10 de junho em São Paulo, e de 11 a 13 de junho no Rio.
Em São Paulo o festival acontecerá no Via Funchal, e no Rio de Janeiro no Teatro Oi Casa Grande.
Segundo informações, dia 10 de junho, Maceo Parker e The Clayton Brothers farão um show gratuito no Parque do Ibirapuera.
Além dos shows, o BMW Jazz Festival oferecerá seis workshops gratuitos, na Escola de Música do Estado de São Paulo, ministrados por Chick Corea, Lenny Whitw, Stanley Clarke, Charles Lloyd, Christian Scott e Trombone Shorty.
Vejam as outras atrações do BMW Jazz Festival:
Corea, Clarke & White – Projeto de Chick Corea, Stanley Clarke e Lenny White (São Paulo / Rio de Janeiro)
Charles Lloyd (São Paulo / Rio de Janeiro);
The Clayton Brothers (São Paulo);
Trombone Shorty & Orleans Avenue (São Paulo / Rio de Janeiro);
Ambrose Akinmusire (São Paulo);
Nintey Miles Project (São Paulo / Rio de Janeiro);
Darcy James Argue’s Secret Society (São Paulo);
Toninho Ferragutti e Bebê Kramer (São Paulo).
Se ano passado a Família Original esteve presente nos dois shows de Fred Wesley no Brasil, com certeza não iremos ficar fora dessas apresentações.
março
20
Maceo with Special Guests Fred Wesley and Pee Wee Ellis no BMW Jazz Festival 2012
Posted In: Divulgação, Fred Wesley, Funk News, Information, James Brown, Jazz Funk, Maceo Parker, Original Funk Music, The JB’s, inf by Eugenio
De 8 a 10 de junho em São Paulo, no Via Funchal.
De 11 a 13 de junho no Rio de Janeiro, no Teatro Oi Casa Grande.
março
17
Programa Original Funk Music
Posted In: Original Funk Music by Fhenso Funk Music
Domingo, à partir das 10hs, tem mais uma edição do programa Original Funk Music na Webradio-Balanço e Privilege Web Radio.
Produção e apresentação Fhenso e Stanley Original Funk Music, trazendo muito Black Music Nacional, Dance Classic, Funk e Soul Brazuca e internacional da melhor qualidade.
março
6
Born in Jamaica in 1952, Claudja’s parents left and moved to Canada while she was still a young child. Raised in Toronto, Claudja was exposed to a variety of musical influences
from an early age. She was taken with singing and began taking vocal lessons in hopes of a career in music. By the age of 15 she had mastered the art of singing and had developed
her voice to an outstanding level, so unique was her talent that she easily won an audition and spot on a local television show.
By her late teens Claudja was headlining her own show and after graduation she quickly fled to New York in search of stardom. While in New York Claudja landed roles in two
shows, “Hair” and “Catch My Soul.” The latter, a touring company production, brought her to Europe. While in Europe she began doing session work as a background vocalist. The
session work led to a chance meeting with producer Frank Farina. Farina had just scored a European hit with 1975’s “Baby Do You Wanna Bump?” under the pseudonym “Boney M”
(Boney: Hero of an Australian TV-Series). Due to the success, there was a demand for live appearances of Boney M. Farian and agent Katja Wolf hired 4 girls and 1 guy. Maizie
Williams, Sheila Bonnick, a girl named Nathalie, Claudja Barry and the male dancer Mike. This line-up did only dancing, lip syncing and press appearances. After a brief tour Claudja
Barry was replaced by Liz Mitchell in 1976.
During her brief role with Boney M, Claudja met a handsome young record producer Jürgen Korduletsch. Korduletsch would play a significant role in her professional life as
producer/writer/manager, and later in her personal life as her husband. Korduletsch was the owner of an up and coming label, Lollipop Records. He convinced Barry that she should
record with him and signed her immediately to a contract. They cut five sides that Korduletsch co-wrote with his partner/arranger Jorg Evers. The tracks were quickly licensed by
Salsoul Records and sent, along with Tom Moulton, back to the studio for remixing. The result was Barry’s 1977 debut album “Sweet Dynamite.” The album was a major hit in clubs,
but all of the material holds up nicely away from the dance floor. None of the songs come across as mechanical or insincere, and Barry is as soulful on the haunting, European
flavored “Love For The Sake Of Love” as she is on the exuberant “Why Must A Girl Like Me” and the gritty title song, which has as much to do with soul and funk as it does with
Euro-disco. Though Barry’s vocals are the album’s main focus, she lays out on “Live A Little Bit,” an infectious instrumental that successfully fuses Euro-disco with African pop and
reggae. Thanks to 12″ singles, the title track and “Dance, Dance, Dance” were top ten club smashes and made the album an international hit and an essential disco classic. But this
was only the start of what was to become a long and fruitful career for Claudja and Jürgen.
Born in Jamaica in 1952, Claudja’s parents left and moved to Canada while she was still a young child. Raised in Toronto, Claudja was exposed to a variety of musical influences
from an early age. She was taken with singing and began taking vocal lessons in hopes of a career in music. By the age of 15 she had mastered the art of singing and had developed
her voice to an outstanding level, so unique was her talent that she easily won an audition and spot on a local television show.
By her late teens Claudja was headlining her own show and after graduation she quickly fled to New York in search of stardom. While in New York Claudja landed roles in two
shows, “Hair” and “Catch My Soul.” The latter, a touring company production, brought her to Europe. While in Europe she began doing session work as a background vocalist. The
session work led to a chance meeting with producer Frank Farina. Farina had just scored a European hit with 1975’s “Baby Do You Wanna Bump?” under the pseudonym “Boney M”
(Boney: Hero of an Australian TV-Series). Due to the success, there was a demand for live appearances of Boney M. Farian and agent Katja Wolf hired 4 girls and 1 guy. Maizie
Williams, Sheila Bonnick, a girl named Nathalie, Claudja Barry and the male dancer Mike. This line-up did only dancing, lip syncing and press appearances. After a brief tour Claudja
Barry was replaced by Liz Mitchell in 1976.
During her brief role with Boney M, Claudja met a handsome young record producer Jürgen Korduletsch. Korduletsch would play a significant role in her professional life as
producer/writer/manager, and later in her personal life as her husband. Korduletsch was the owner of an up and coming label, Lollipop Records. He convinced Barry that she should
record with him and signed her immediately to a contract. They cut five sides that Korduletsch co-wrote with his partner/arranger Jorg Evers. The tracks were quickly licensed by
Salsoul Records and sent, along with Tom Moulton, back to the studio for remixing. The result was Barry’s 1977 debut album “Sweet Dynamite.” The album was a major hit in clubs,
but all of the material holds up nicely away from the dance floor. None of the songs come across as mechanical or insincere, and Barry is as soulful on the haunting, European
flavored “Love For The Sake Of Love” as she is on the exuberant “Why Must A Girl Like Me” and the gritty title song, which has as much to do with soul and funk as it does with
Euro-disco. Though Barry’s vocals are the album’s main focus, she lays out on “Live A Little Bit,” an infectious instrumental that successfully fuses Euro-disco with African pop and
reggae. Thanks to 12″ singles, the title track and “Dance, Dance, Dance” were top ten club smashes and made the album an international hit and an essential disco classic. But this
was only the start of what was to become a long and fruitful career for Claudja and Jürgen.
Tracklist:
01 – Sweet Dynamite
02 – Why Must A Girl Like Me
03 – Dance, Dance, Dance
04 – Live A Little Bit
05 – This Taste Of Love
06 – Love For The Sake Of Love
07 – Ride On My Fire
08 – Do It Again
09 – Nobody Loves Me Like You Do
É isso aí rapaziada Dance, Dance, Dance!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
março
2
Festa da Amizade dia 10 de Março 2012
Posted In: Original Funk Music by DJ Stanley
Festa com apoio da ORIGINAL FUNK MUSIC….
fevereiro
25
Programa Original Funk Music 26-02-2012
Posted In: Original Funk Music by Fhenso Funk Music
Domingo, à partir das 10hs, tem mais uma edição do programa Original Funk Music na Privilege Web Radio.
Convidado DJ Gil Flash Imperdível!
Nosso site: http://originalfunkmusic.com/
E o site da Privilege: http://privilegewebradio.com/
Produção e apresentação Fhenso e Stanley Original Funk Music, trazendo muito Funk e Soul da melhor qualidade.
fevereiro
23
Roger Troutman II – The Second Coming (2000)
Posted In: Original Funk Music by kamarao
01. Beautiful Lady (Feat. Charlie Wilson)
02. I Wanna Take You Home (Feat. Bigg Lurch)
03. Right Now
04. Never Part
05. When We Kick It
06. Give It to You
07. Come With Me
08. Being Alone (Feat. Brent Luv)
09. We Love You Roger (Feat. Jewell)
10. So Ruff, So Tuff
11. Dance Floor (Feat. Cold 187 – Big Hutch)
12. Can U Deal With This
fevereiro
19
Michael Jackson – Michael – 2010
Posted In: Michael Jackson, Original Funk Music by Hilarivan
Album: Michael Jackson – Michael – 2010
Artista: Michael Jackson
Album: Michael
Ano de Lançamento: 2010
Sêlo: Epic
Gravadora: Sony Music
Tracklist
01 – Hold My Hand (Duet With Akon)
02 – Hollywood Tonight
03 – Keep Your Head Up
04 – (I Like) The Way You Love Me
05 – Monster (Featuring 50 Cent)
06 – Best O Joy
07 – Breaking News
08 – (I Can’t Make It) Another Day (Featuring Lenny Kravitz)
09 – Behind The Mask
10 – Much To Soon
Senha/Password: originalfunkmusic
fevereiro
19
Whitney Houston – Whitney – 1987
Posted In: Original Funk Music, Whitney Houston by Hilarivan
Album: Whitney Houston – Whitney – 1987
Artista: Whitney Houston
Album: Whitney
Ano de Lançamento: 1987
Sêlo: Arista
Gravadora: BMG Ariola
Tracklist
01 – I Wanna Dance With Somebody (Who Loves Me)
02 – Just The Lonely Talking Again
03 – Love Will Save The Day
04 – Didn’t We Almost Have It All
05 – So Emotional
06 – Where You Are
07 – Love Is A Cantact Sport
08 – You’re Still My Man
09 – For The Love Of You
10 – Where Do Broken Hearts Go
11 – I Know Him So Well (With Cissy Houston)
Senha/Password: originalfunkmusic
fevereiro
19
Whitney Houston – Whitney Houston – 1985
Posted In: Original Funk Music, Whitney Houston by Hilarivan
Album: Whitney Houston – Whitney Houston – 1985
Artista: Whitney Houston
Album: Whitney Houston
Ano de Lançamento: 1985
Sêlo: Arista
Gravadora: BMG Ariola
Tracklist
01 – You Give Good Love
02 – Thinking About You
03 – Someone For Me
04 – Saving All My Love For You
05 – Nobody Loves Me Like You Do (Duet with Jermaine Jackson)
06 – How Will I Know
07 – All At Once
08 – Take Good Care Of My Heart (Duet with Jermaine Jackson)
09 – Greatest Love Of All
10 – Hold Me (Duet with Teddy Pendergrass)
Senha/Password: originalfunkmusic
